
Known as much for his good looks and physique as for his acting talent, it is amazing to see him in the beginning of this film as the archetypal 90-pound-weakling. The look was clearly achieved by some Benjamin Button CGI work rather than the Christian Bale starvation method, and it is totally convincing. In fact, he looks less convincing when he first emerges as the buff supersoldier.
It may be finding depths to the story that aren't really there, but I couldn't decide if the film was making comments on propaganda, patriotism and the US obsession with imperialist militarism, or a veiled exposé on the MK Ultra experiments carried out by the US government, mostly post-war, utilising "liberated" German scientists. All of those elements are there, but at its core this is a war movie with a superhero and a super-villain (as if the real ones weren't bad enough). At times I even found myself thinking I was watching a Marvel version of Inglorious Basterds, although it could have easily have been a beefed up, costumed, John Wayne war movie, which were almost as implausible.
Anyone who likes hybridised war and superhero movies is going to love this. Even though it is a heightened reality, there is still plenty of period detail included, to help with the suspension of disbelief, to keep you engrossed in the story, which is very much an origins story that is bookended with the Captain's arrival in modern times with the obligatory scene with Samuel L Jackson's Nick Fury – as well as the post credits teaser for next year's main event.
It may not be a patch on Iron Man, but it is a close runner-up in the Avenger stakes ahead of Thor (less said about The Hulk the better). And the 3D? Save your eyes and your money and see it in 2D.